David Lynch’s DumbLand

I tried to subject my friends to it, they switched to Aqua Teen Hunger Force Colon Movie Film For Theaters. That right there is a comment on how easy it is to sit through.

Aqua Teen Hunger Force Colon Movie Film For Theaters is an infamously difficult to swallow film, seemingly content in its inane surreality, so for it to be easier to watch than something is a comment unto itself.

I have only ever seen one other Lynch product through to completion, Eraserhead, so I may not hold as much sway over you as others well versed in his ouvre. In fact, I attempted to watch Inland Empire, but I was scared away by its utterly alien presentation.

I can say, however, that DumbLand is a deliciously audacious exploration of the inanity and absurdity of suburban life. The protagonist (for he is no hero) is a crude, violent caricature of masculine impulsivity. He swears, farts and engages in sometimes disturbing acts of violence. His son is but a sketch of a child, wide eyed and foetus-like in his construction. The wife is a horrid scribble of a person who communicates solely in terrified murmurs and screeches.

Together, they are a portrait of suburban decay. Each episode, of which there are 8, is roughly 4 minutes long. Nothing much of objective interest happens in any of them (save the last), but through Lynch’s lens, the inanity of everyday existence is transmogrified into something surreal and nightmarish.

I can’t really recommend this series to everyone. It is purposefully obtuse in its presentation. Voices (all provided by Lynch) are distorted and uncomfortable to listen to, it is violent and vulgar, there is a lack of detail and the animation is laughably sparse at best. These qualities add to the charm, but they can also put people off.

All up, I enjoyed it, even though I feel the joke was on me all along.

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